Marantz PM8006 Stereo Amplifier, Black.
With a fully discrete current feedback design, the PM8006 integrated amplifier is perfect for audiophiles wanting both excellent music quality and flexible operation. It offers a powerful 2x 70W into 8 ohm, while the symmetrical circuits ensure optimal imaging. To ensure the most involving musical experience, the amplifier uses a new Marantz-designed electric volume control and brand-new Marantz Musical Phono EQ phono preamp stage, designed to get the purest signal from beloved vinyls by minimized noise levels. To further remove interference, new isolating feet are used to support the amplifier, combining high density and a damping fibre.
The PM8006 also includes preamp outputs along with a power amp direct input, which lets you use the unit as a standalone power amplifier for integration into a multi-channel home theater system. For precise sound tailoring, our triple tone control system provides separate controls for the bass, midrange and treble. The elegant remote control features an ergonomic layout for easy operation, and can control accompanying source players.
Top quality build and components.
No
Great stage, natural and velvety sound! Musical! Reveals any source. Great classic design and control.
A wonderful sound, it sounds great even at a very large volume and is not afraid of a metal progressive with sounds. In addition, it has a timbollock, which makes the sound just magical.
The appearance is somehow not quite modern, for an amateur. I consider the absence of the screen a big minus
I managed to get out and listen to this vaunted unit with columns in the local showroom, which interested me no less. I decided to pick up modern pollniks for rock and began with Klipsh RP 5000 (there were no others). I had the opportunity to hear the abundance of statements that Maranz is not for rock, but to my surprise, this ligament showed all its best qualities and surpassed my expectations. But for wiretaps, I specifically brought my discs, the content of which is difficult for reproduction by any means due to the density and saturation of instruments and all kinds of sound nuances. (Threshold, Opeth, Kansas) Marantz perfectly coped with all the trials and clips also showed themselves excellent! Now the second day I get sick to buy Marantz.
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Original reviews
Still good!
Included to the "bright" character of the sound, and to us, the elderly, like this is not very to taste.
I drove to Koresh in the salon for the traditional drinking beer before the weekend. I wanted to take something from the new Roksan line for wiretap, but they were still on the way. I saw in the hall the black carcass of the 8006th and thought that it was nice to hold a second race with this strengthening. Koresh broke up with joy, this is the chassis and is sold so on a bang. Then the box was opened instead of him with the 30th Marantz, and I rolled "in da house". He brought, connected, once again noticed the excellent work of the phonor -corrector, and then misunderstandings began. With the majority of the speakers that I have in the audiophile tan, it sounded familiar and expected. On your money. Well, I think, okay, shemshitts! Why the hell is asking "the piano keys were attached to the lip accordion"? This is me about the phono-corrector, which in my system sounded 70-100 thousand (I just the other day drove the senior phono-corrector Teac). Some kind of mystery on the face! At first I thought that trouble -free Japs and fools glued their Music Phono EQs and now they are plowing them to everyone, putting them in anywhere. But it seems that there was no such squeezing behind them? This is of course not jerky Anglo-Saxons who are ready for an extra puck, but the thing is still serious and obviously not for service as a “plug” to beginner vinylovodes. With him, my Rega Planar-6 with Exact sounded great, and there were no special claims to the MS. After the Teac, on one of the transrient tonarms, a black cadenza orthopon still hung and played only a couple of drops worse, rather and they are at the level of IMHO. Well, I decided to torture further. I connected the senior shelf B&P 705 of the series (with a pipe on the head) and wow! This is not at all my speakers, not my character of the sound, but then they sounded like that when I once connected them to the initial Macintoshas. All the annoyance of the RF evaporated, if you do not look, then the system in soundtrack just jumped to the next level. It became completely interesting! Okay, I brought from the country house the shelf Ma Patinum and the situation became even more interesting ... But this is the supply of speakers that are easy to carry on the hump, I have dried up. For myself, I made a simple conclusion: this amp at its price is clearly aimed at connecting to the AP twice as much as its price, and from the B& Wid toys I once had the same impressions and how the result was cool. I did not check with his city floor speakers, there are one pair and obviously completely from the other universe with T.Z. Designs and ideologies (they are also a complex load for most of the strengthenes of their price category), but the device is simply transformed with shelf models of the top Hi-Fi class. I’ll take it back to the salon, I will definitely listen to the focal focal Kant, very curious. I once listened to the 30th Marants with them.
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Original reviews
Strict design, excellent switching opportunities, Japanese origin
Low dumping factor.
For me, this is still the best offer for the price of the market in the market among the tops of the budget line.
A very original and high -quality device. I perfectly played classics and jazz paired with Opticon 6 MK2. For rock is not ready to advise (refer to the Odnoklak Denon 1600NE or other Hegel league)
Ready to recommend as a final choice for the SISTEM up to half a million.
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Original reviews
Great quality, top from the budget line of Maranz, excellent sound.
No.
This amplifier brought the client to check my JBL 4312E before buying. They connected, put the disk in my budget player of the Onkio-7030, and from the first chords it became clear that this is the best ligament for my speakers of those that I heard. And I tried a dozen amplifiers, the most expensive Parasound Halo. My speakers were 6 Ohms, 93 dB. That is, on a light load, this amplifier is magical, I really liked it, and the cheapest is the cheapest from the hyfai foreoll. I did not hear my color or my character. Everything is evenly and correct: top, middle, bass, dynamics, transparency, detail. They listened to all musical genres, everywhere good. The client took the speakers and left the happy. And I really liked this ligament.
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Original reviews
Surrounded by music, Marantz found that a home music system that met his exacting standards in the early 1950's just did not exist. He envisioned a completely new architectural idea for sound reproduction, and employing his skill in electrical engineering, built the proof of his concept - the Audio Consolette, a Hi-Fi pre-amplifier designed for the home.
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